Helen of Nowhere
A disgraced professor's self-knowledge restaged as evidence, ending in a shape borrowed from every story about men like him.
Archive page 2
The Mulai
An archaeologist's report passed off as ethnography, compiling a whole society out of one man's failure to tell people apart.
Free: Coming of Age at the End of History
Prison sentences spoken as university degrees, returning each political abstraction to the people required to live inside it.
When violence enters the routine
An essay about what follows an act of violence, and Marlon James’s forthcoming The Disappearers.
South
Political injury reassigned as private failure, each record altered before it can testify, until only the safer account survives in print.
The Watching Monad
A colleague's fear read as desire, alternating narration turning workplace access into administratively easy pursuit.
Business Continues: Ten Novels and the Speed of Harm
Violence converted into procedure across ten novels, from a Brazilian slaughterhouse to a predator whose vocabulary outlives him.
Foster
A summer of care staged as rescue, ending in a child carrying a measure her own family need never meet.
I Gave You Eyes and You Looked Toward Darkness
A house's debt to the devil staged as inheritance, ending in a granddaughter who lives outside its doctrine.
Bury Your Dead
A roadside depot grinds animal carcasses while human corpses wait on a morgue van that never starts. Dignity falls to whoever will carry a body.
Dooneen
A wounded man writes from a cliff-cut room as Dublin’s housing uprising ends in massacre and contested record.
The Disappearers
A rehearsal room in 1988 Kingston becomes the site of an attack whose aftermath spreads through aliases, testimony, revenge and return.